Concordia, Entre Ríos

Art Nouveau

Concordia has established itself as a benchmark for Art Nouveau in Argentina , offering visitors a unique experience that combines history, art, and architecture . The Art Nouveau Route invites you to explore more than t…

ART NOUVEAU

Concordia has established itself as a benchmark for Art Nouveau in Argentina, offering visitors a unique experience that combines history, art, and architecture.
The Art Nouveau Route invites you to explore more than ten buildings of high heritage value, inspired by this modernist style from the late 19th and early 20th centuries. Their designs reflect Italian, Spanish, and Viennese influences, characteristic of the movement, and coexist with notable examples of Academicist y Belle Époquearchitecture, which enrich the city's urban landscape.

Concordia was recognized as the "2025 Art Nouveau City of America" by the Art Nouveau Buenos Aires Association (AANBA) and the Argentine Art Nouveau Route (RANN), with the support of the National Secretariat of Tourism. This distinction positioned it as a national and international benchmark in cultural, heritage, and architectural tourism, integrating it into the Pan-American and European Art Nouveau Route.
The designation included the selection of an “Emblematic Art Nouveau Building,” the placement of a commemorative bronze plaque on the Concordia Bishopric building, and the incorporation of the city into the Passport BA guide, strengthening its visibility at all levels.
The recognition, supported by organizations such as CAME Turismo, FECOBA, ICOMOS (UNESCO International Council on Monuments and Sites), and the European Union, granted Concordia a seal of international prestige, consolidating it as a key destination within the Art Nouveau circuit and boosting the tourism and cultural development of the Salto Grande region.
 

The spirit of Art Nouveau

Art Nouveau marks the moment when architecture stopped imitating Greek columns and Gothic arches to be inspired, instead, by the organic forms of nature.

Let us imagine the year 1893. The Belgian engineer, Victor Horta, enters his studio with a lily leaf in his hand. He observes it carefully, turns it on his workbench, and states: «This curve will be my staircase». From that gesture, the history of architecture changes forever.
The iron, previously hidden behind stone walls, is released and curves like a stem. The glass ceases to be a simple opening to transform into a translucent petal. The ceramic, for its part, is no longer limited to the square tile: it becomes a fish scale, shining when the sun caresses it.

Before Art Nouveau, elegant residences evoked classical temples or Gothic cathedrals; architecture repeated the past. Art Nouveau breaks with that tradition and proclaims a new truth: «Nature is neither symmetrical nor straight; nature is movement».
That is why its facades are never identical from one side to the other: one window may open like a blooming iris, while another remains closed like a bud. This vital aesthetic inaugurates an organic, free and deeply modern present.

How to recognize it on the street?

Start by observing the balconies: if the iron seems to sprout from the wall and curl like a vine, you are facing an example of this style.
Look at the railings: they are not industrial tubes, but branches frozen in full growth.
Look at the window frames: they are not straight or pointed, but petals that curve toward the light.
If there are stained glass windows, come closer: you might find dragonflies, peacocks, or plant motifs that change color with the sun.

Art Nouveau has an unmistakable signature: a continuous line that is born at the base of the building, ascends the columns, transforms into a leaf, into a lamp, and finally dissolves into the sky.

The materials also express their essence:

  • The wrought iron, worked by fire and hammer, becomes metallic filigree.
  • The ceramic shines with pearlescent reflections thanks to metallic oxides that vary their tone with the light.
  • The blown glass refracts the sun's rays in multiple shades.

Inside, the space flows without rigidity: the walls curve gently, the stairs ascend in a spiral, the door handles evoke snails, and the mirrors open like butterfly wings. Everything seems to breathe in harmony.

It could be said that any building that makes you feel you have entered a garden built with iron and glass is a work of Art Nouveau. Plaques or dates are not needed: nature, converted into architecture, reveals it by itself.

Art Nouveau in Argentina and in Concordia

In Argentina, the Art Nouveau style developed mainly between 1900 y 1920, influenced by European currents and by the arrival of French, Italian and Belgian immigrants.
In Concordia, this movement had a significant presence, reflecting the economic boom of the era and the close cultural bond with Europe.
It is interesting to note that many owners acquired the blueprints for their homes during their business trips in the Old Continent.

Art Nouveau in the city was manifested both in public buildings as well as in private homes and commercial establishments from the beginning of the 20th century, constituting an architectural legacy of unique heritage value.


Art Nouveau Route
  1. Alem 12 (corner of Entre Ríos)
  2. Aristóbulo del Valle 254 (corner of Brown)
  3. Aristóbulo del Valle 276
  4. Buenos Aires 321
  5. Alberdi 41
  6. Societá Italiana "La Concordia", Buenos Aires 78
  7. Entre Ríos 666
  8. H. Yrigoyen and Carriego
  9. San Juan and 1° de Mayo
  10. Urdinarrain 13-11
  11. Casa Ricós, Urquiza 751
  12. Villa Yolanda, Roque Sáenz Peña 352
  13. Archbishopric Headquarters, Pellegrini 800
  14. Sociedad Italiana de S.M., Pellegrini 1092
 

Some outstanding places to visit…

Pastoral House of the Bishopric of Concordia

This building is distinguished by its interiors decorated in the Art Nouveau and Viennese Secession style, preserved in excellent condition. Its architecture reflects the influence of the European avant-gardes of the early 20th century, constituting an outstanding example within the circuit. Currently, it functions as the administrative headquarters of the Diocese of Concordia. If interested, it is recommended to check in advance the possibility of internal visits.

The dwelling was conceived in a corner location, with its main access arranged on the chamfer, emphasized by a protruding semicircular volume that acts as an eave and protective element. From the entrance hall, a curved wrought iron interior balcony can be appreciated, which provides visual lightness to the whole.

The ornamentation responds to the Liberty style, recognized for its modern spirit and the abundance of floral motifs in the form of garlands that enrich the facade. Likewise, one can notice Art Deco influences, perceptible in the linear moldings that structure and provide rhythm to the exterior design, achieving a harmonious composition between both stylistic currents.


Location

  • Carlos Pellegrini 800

Villa Yolanda

Built in 1909 for Dr. Ricardo Burmeister, a Uruguayan surgeon, the residence was named after his daughter, Yolanda. In 1915 it was acquired by Marcelino Garat, a prominent landowner from Concordia. It is a Petit Hotel representative of the Belle Époque, whose interior sumptuousness and profuse exterior ornamentation reflect the high socioeconomic level of its owners and the elegance characteristic of the era.

The brothers Leonardo and Aurelio Garat lived in the residence until the passing of their parents, at which point the property began to change owners. In 1988, the building housed the School for the Deaf and Hard of Hearing, and subsequently remained vacant for several years. Currently, the residence has been refurbished and inhabited once again, recovering its heritage value within the urban fabric.

In its origins, the property featured a mill located in the gardens, which supplied water to the house, being one of the first residences in Concordia to have running water.

Location

  • Damián P. Garat 507

Casa Ricós

This three-level Petit Hôtel was built in 1929 by the architects Aubriot y Lerena.

Located on a corner, the residence features its main entrance on Urquiza street. With an eclectic imprint, its facade combines academicistelements, such as the false columns of the balcony and the semicircular arches on windows and entrances, with delicate floral design moldings on the second floor and at the base of the balcony—in the shape of a corbel—, characteristic features of the Art Nouveau.

The residence was designed taking advantage of its corner location, with a main entrance arranged on the corner and highlighted by a protruding semicircular volume that serves the dual function of an eave and shelter. From the entrance hall, one can appreciate a curved interior wrought-iron balcony, an element that adds elegance to the space.

Location

  • Urquiza 751

Casa Fagalde

This work designed by Alejandro Pípolo in 1927, of eclectic imprint and belonging to late French academicism, is distinguished by the iron and glass canopy that highlights its main entrance.

The Art Nouveau is manifested in the whip-like lines that can be seen in the wrought-iron railing, which overlooks the internal gardenfrom the first floor, but not on its facade.

It is a two-story residence, located on a corner and with a prominent location facing one of the city's main squares. Access is via Estrada street, through a vestibule that leads to an octagonal room. This entrance is framed by two columns and an iron and glass canopy that reinforces the elegance of the entrance.

The main room, illuminated by a skylight (similar to a skylight or transom), also serves the function of distributor, connecting the different rooms of the residence. On the upper floor are located the five bedrooms, next to a pergola on the terrace that offers privileged views towards the square and the garden.

Location

  • Estrada 3, opposite Plaza Urquiza

Casa Inchauspe

The novelties of modernism become evident in the facade of this dwelling, mainly due to the subtle break with traditional symmetry. Likewise, both in the ironwork and in the moldings one can appreciate whip-like curved lines y motifs phytomorphic (that which has the shape of a plant) characteristic of the style.

In the upper part of the facade, one can distinguish four groups of triple slats that culminate in a irregularmanner, providing dynamism to the whole. The spacious balcony presents an ornamentation overloaded with vegetal inspiration, reinforcing the decorative language of the Art Nouveau.

The stylistic particularities of the Casa Inchauspe are inscribed within the Viennese Secession movement, a current that introduced a more geometric and refined approach within modernism.

The doors and windows with curved lines accentuate the fluidity of the design, while, inside, the vestibule door opens towards an imposing marble staircase, an element that elevates the space and reflects the elegance of the era.

Location

  • Entre Ríos 924 

How to travel the route?

The Art Nouveau Route can be enjoyed on foot or by bicycle, allowing visitors to appreciate the architecture and discover the city's historical charm. In addition, from the Tourist Information Center departs periodically from Pedestrian Historical-Architectural Circuit, a guided walking tour of approximately two hours that invites you to discover various buildings near the center. During the journey, you can appreciate works by the architect Alejo Martínez, a pioneer of the Modern Movement, along with constructions in the Art Nouveau style, recognizable by their organic forms and unique details.

We invite you to explore Concordia with new eyes, where each facade tells a story and every corner reveals the art and elegance of an unforgettable era.

For more information, contact the Tourist Information Center.


Location

  • Pellegrini 660, corner of Mitre

Opening hours​

  • Monday to Sunday from 08:00 to 20:00

Contact

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Photography contest: "Concordia on the Argentine Art Nouveau Route" 


The city invites you to participate in the contest that celebrates its distinction as the 2025 Art Nouveau City of America.

The city of Concordia invites you to participate in the Photography Contest "Concordia on the Argentine Art Nouveau Route", a cultural proposal that seeks to highlight the local architectural heritage. The contest is held within the framework of the recent recognition of Concordia as the 2025 Art Nouveau City of America, a distinction that highlights its wealth of buildings in this style.

The photographs must be original and unpublished, taken exclusively in Concordia, and focused on Art Nouveau style architectural elements. The contest will be open until November 25, and registration is done through the link available in the bio of @CompartíConcordia

Contest categories:
Facades: general views of buildings with Art Nouveau style.
Details and ornaments: handles, stained glass, moldings, balconies, railings, and other decorative elements.

This initiative seeks to encourage citizen participation, cultural tourism, and the dissemination of the architectural legacy of Concordia, positioning it as a benchmark for Art Nouveau in Latin America.

Registration link: https://docs.google.com/forms/d/e/1FAIpQLSdwCIez4D_T9S1HaBxC6w4KqkFWYYepSK9rFAh4uY_nli3ARg/viewform 

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